Tigana involved a more
eclectic set of readings than any of the books that came after, and I suppose
that's reflected in the range of themes in the book.
The
ambience and some of the political underpinnings are (fairly evidently, I
suspect) Italianate and Renaissance. The histories of this period are so
numerous as to be overwhelming, and if I offer a personal selection here of
those I drew upon it is with an awareness of how many other works are out
there.
The
most famous general history is Burkhardt's
The Civilization of the Renaissance. I took a little more of particular use and
interest from Power and Imagination:
City-States in Renaissance Italy by Lauro Martines. Both books make clear
the degree to which the internecine feuding and warfare among the Italian
cities left them wide open to invasion from outside.
Two
books by J. R. Hale are also very useful: War
and Society in Renaissance Europe 1450-1620 and Renaissance Europe 1480-1520. Philippe Contamine's War In the Middle Ages covers ground
well into the early Renaissance and is (justly) seen as a classic text. For me,
all of these books served more to offer ambience and a sense of flavour, rather
than precise historical details but the details are wonderful.
On
Florence (Firenze), which became a particular interest, the American scholar
Gene Brucker seems to have spent his professional life doing wonderfully
interesting work. I like everything he's written. I'll mention his major
history, Renaissance Florence, an
assembling of contemporary documents called The
Society of Renaissance Florence, and a wonderful pairing of two merchants'
diaries called Two Memoirs of Renaissance
Florence, along with another bit of detective work among the lives of
people in the past entitled Giovanni and
Lusanna: Love and Marriage in Renaissance Florence.
I
was keenly interested in commerce and 'ordinary' lives in the 15th century,
beyond the doings of the prominent figures, and these various books offered
windows for me. In the same vein is The
Memoir of Marco Parenti: A Life in
Medici Florence by Mark Phillips, and I really hope I can steer readers to
Iris Origo's classic The Merchant of
Prato which will introduce into their lives the unforgettable pair,
Francesco di Marco Datini (the merchant) and his lifelong friend, notary, and
confidant, Ser Lappo Mazzei, two men one would have liked to meet. It is a
wonderful book.
A hugely ambitious, magisterial pair of books by the great Fernard Braudel, The Structures of Everyday Life and The Wheels of Commerce explore
civilization and capitalism from the 15th to the 18th century. They represent a
major attempt at historical synthesis, but are also wonderfully detailed and
engaging on matters of how people lived and they are beautifully illustrated.
Finally,
on this historical footing, I'll mention Carlo Ginsburg's absorbing Night Battles (I Benandanti), which is
the book that gave me my Night Walkers and coalesced ideas about introducing a
pagan agrarian ritual and supernatural battle in the middle of a deliberately
human-scaled novel. Ginsburg's is a superb book, for a great many reasons.
On a completely different level, Tigana was influenced by two contemporary writers. The early work of Milan Kundera, Laughable Loves and The Farewell Party and The
Joke, started me thinking about issues of conquest and political (military)
subjugation and self-respect and human sexuality among the conquered. All of
this works its way pretty strongly into the novel and Kundera also contributed
to more general reflections on eastern Europe, Maoist China (and its
eradication of history) and then, by natural extension the interplay of
language and history and identity.
And this led me back (though I couldn't say why!) to Brian Friel's quite brilliant
play, Translations, which I'd seen
(and then read) some time earlier. I'd say this was the work, more than
anything else, that inspired the idea of using magic as a device and a metaphor
for the obliteration of the name of Tigana.
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